| Felix Cinematografica Srl production’s Italo-US profit-share with Penthouse Films International Ltd approved by Ufficio Italiano dei Cambi, Nulla-Osta 500227, on 23 July 1976. |
| Film Number 190 of the year 1976, registered to Felix Cinematografica Srl in its capacity as sole producer on 5 August 1976 in the SIAE (Società Italiana degli Autori ed Editori) Pubblico Registro Cinematografico numero 06246. |
| Provisional declaration of Italian nationality, granted to Felix Cinematografica Srl in its capacity as sole producer by Ministero del Turismo e dello Spettacolo, 27 October 1976, provvedimento numero 6754/CF.7351. |
| Application for Italian nationality, submitted by Felix Cinematografica Srl in its capacity as sole producer; approved by the Ministero del Turismo e dello Spettacolo on 19 July 1979; registry number 678 / 73788; filed on 24 July 1979: VIETATO AI MINORI DI ANNI 18. |
| Description of the Plot, submitted by Felix Cinematografica Srl in its capacity as sole producer; approved by the Ministero del Turismo e dello Spettacolo on 24 July 1979; registry number 73788: VIETATO AI MINORI DI ANNI 18. |
NOTE: The dates in the braces are the dates given in a government application as the first day of work.
Many of these dates are obviously spurious, and, maddeningly, we don’t have a list of the final day of work.
It appears that most of the crew members below were temps and floaters who worked only a few days or weeks and left long before the end of filming.
Names in large bold letters are the names that appear on screen. | |
Presented by | [Robert Charles] Bob Guccione |
Produttori Produced by |
[Romano] Franco Rossellini Bob Guccione |
Executive Producer | Jacob H. “Jack” Silverman |
Intereprete per Jack H. Silverman Translator for Jack H. Silverman |
Susan French |
Senior Vice President, Penthouse Films International Ltd | Alfred Weiler Crown |
Original Screenplay | [Eugene Luther] Gore Vidal credited in the Italian version as “Tratto dal soggetto originale di GORE VIDAL Sceneggiatura di GORE VIDAL e MASOLINO D’AMICO” and in the English version as “Adapted from an original screenplay by GORE VIDAL” |
Additional Dialogue and Rewrites |
Malcolm McDowell
Ted Whitehead and an anonymous Italian writer (Ideas for these extra lines were inspired in part by concepts from Roberto Rossellini’s treatments [1962 and 1971] for the unmade Caligola. Whether any ideas were taken from the now-lost 1965 script that Jean Gruault wrote for Roberto Rossellini is anybody’s guess.) |
Italian Dialogue (for the 1979 Italian Release) Adapted by | [Tommaso] “Masolino” d’Amico |
Regista Director |
[Giovanni] Tinto Brass [credited only with “Principal Photography”] |
Brief Inserts (“Additional Scenes”) Directed and Photographed by | Bob Guccione and Giancarlo Lui
wrongly credited in the Italian edition as“Inserti filmati di FRANCO ROSSELLINI” |
Art Director | Danilo Donati |
Aiuti Scenegrafo Assistant Art Directors |
Raffaele Lubrano Omero Bartolini Mauro Tiberi Carlo Rissone Antonio Ciminello Otello Bartolini Luigi Silvio Marchione Anna De Angelis Filippo Bugo Vito Consoli Fernando Fortunari Giancarlo Di Crosta Vittorio Catolli |
Direttore della Fotografia Director of Photography |
Silvano Ippoliti |
Operatori Macchina Camera Operators |
Giuseppe “Pino” Di Biase Federico Del Zoppo Enrico Sasso |
Assistenti Operatori Macchina Focus Pullers |
Kalì (a/k/a Calì) Said Ettore Corso Alessio Gelsini Ivo Spila Giovanni Antonio Xaiz Silvano Tessicini Enrico Maggi Enrico Priori Carlo Milani Antonio Tonti [There seems to have been some flexibility here, as Calì Said was definitely a cameraman rather than a mere focus puller. And as for cameramen Pino Di Biase and Federico Del Zoppo, I’m not sure how long they were involved. So people in this department definitely swapped positions, and Tinto Brass himself frequently operated one of the cameras, without credit, as he does on all his films.] |
Film Editors | Tinto Brass [not completed; “Do your dance, boy” through the execution of Macro in the final release is, visually, largely Tinto’s, though terribly vandalized] [Hugh] Russell Lloyd [Giovanni] “Nino” Baragli [Consulente al montaggio, adapted the first half of the movie mostly from Tinto’s version, but partly from Russ’s version, and adapted the second half of the movie from Russ’s version] |
Associate Film Editor (Twickenham) | Peter Boita |
Montatrice Preliminary Assembly (Rome) |
Elsa Armanni |
Assistenti Montatori Assistants to Elsa Armanni (Rome) |
Claudio Maimone Alfredo Menchini |
Aiuti Assistenti Montatrici Second Assistants to Elsa Armanni, Coding of Dailies (Rome) |
Maria L. Letti John Randolph Pepper |
Assistant Editors [to Tinto Brass at Twickenham] | Fulvia Armanni Claudio Maimone Massimo Spano |
Assistant/Interpreter for Tinto Brass’ Editing Team at Twickenham | Stuart Urban |
Organizzatore Production Manager |
Mario Di Biase |
Music [unused] |
Fiorenzo Carpi Franco Mannino |
Musica originale Music |
Bruno Nicolai |
Brani Musicali Musical Excerpts |
Spartacus by Aram Khachaturian [conducted by Bruno Nicolai] | Romeo and Juliet by Sergeĭ Prokofiev [conducted by Bruno Nicolai] |
Cinderella by Sergeĭ Prokofiev [conducted by Bruno Nicolai] |
Spartan War by John Leach (a/k/a Janos Lehar — you can learn nearly nothing about him at DeWolfe Music and before it closed down The Sound Library at http://www.thesoundlibrary.com/artist.php had this to say: “John Leach: Britain’s leading cymbalom player, worked with John Barry, Jeff Wayne and George Fenton, wrote the theme tune for ‘Ask The Family’. AKA Janos Lehar.” And take a look at this: Tales of Mystery and Imagination!) |
Les damnés by Pierre Arvay |
The Millpond (side 2 track 3 from The Early Birds — Small Group Sounds, Chappell International Series, Chappell Recorded Music Library — CAL 4007, released in 1974) by David Snell [for the temp track only; deleted prior to release] |
Director of Postproduction (Twickenham) | Giancarlo Lui |
Direttore di Produzione Unit Manager |
Sergio Galiano |
Collaboratore alla Produzione Adjunct Production Manager |
Mario Basili |
Ispettatori di Produzione Production Inspectors |
Alessandro Mattei Augusto Marabelli Marisa Nannicini Silvano Spoletini Vittorio Fornasiero Giuseppe Serpe |
Segretaria Produzione Production Secretary |
Ivo Palazzi Mario Borgognoni Giulio Mastri |
Aiuti Segretaria Produzione Assistant Production Secretaries |
Francesca Iacca Sandro Marcelli Sandro Mazzanti Gianni Onofri |
Segretaria Aggiunta Adjunct Secretary |
Clara Mutschaewski |
Aiuti Segretari Clerical Secretaries |
Antonello Lauro Ranieri Ferrara Santamaria Patrizio Pirri |
Fonico Sound Engineer |
Claudio Maielli Antonio Forrest Franco Scarano |
Microfoniste Boom Operators |
Antonio Sisto Giuliano Maielli |
Assistente Microfonista Assistant Boom Operator |
Marco Di Biase |
Dialogue Coach | Louise Vincent |
Segretaria Edizione Script Continuity |
Carla Cipriani |
Capo trucco Chief Make-Up |
Giuseppe Banchelli |
Truccatori Make-Up Crew |
Fabrizio Sforza Maurizio Trani Giovanni Morosi Giovanni Amedei Gino Tamagnini Efrado Titi Maurizio Bevilacqua Massimo Camilietti Claudia Giustini Alvaro Rossi Alfredo Tiberi Alberto Travaglini Fernanda De Rossi Liliana Dulac Cinzia Landi Mario Michisanti Emilio Trani Rosario Prestopino Roberto Centanni Renato Francola Adonella De Rossi Rossana Musitelli Massimo De Rossi Corrado Blengini Lamberto Biseo Alfio Meniconi Andreina Ambrosini Amedeo Alessi Thea Boggiatto Vittorio Biseo Bruno Gironi Lucia La Porta Antonio Maltempo Gabriella Trani |
Capo Parrucchiere Chief Hair Stylist |
Jole Cecchini |
Parrucchieri Hair Stylists |
Carla Indoni Paolo Borzelli Alessandro Jacoponi Clementina Battello Antonietta Caputo Marisa Centanni Marcella Favella Luisa Garbini Emilia Iaschini Silvana Senzacqua Adriana Sforza Guerrino Tedero Maria Favella Anna Graziosi Carlo Aprile Galileo Mandini Ettore Tarquini Liliana Cecchini M Pia De Biase Agnese Panaretto Placida Crapanzano Wanda Antonelli Ennio Cascioli Luciana Fastelli Armenio Marroni Marisa (Luisa) Fraticelli Dina Iacobucci Mario Centofanto Fiorella Petitti Simonetta Pirino |
Aiuto Regista Assistant Director |
Piernico Solinas (b 1943, d 2012) |
Aiuti Assistenti Regia Second Assistant Directors |
Fabrizio Pisaneschi Giovanni Soldati Giovanni “Gianni” Michelagnoli Gianluca Ronchi Gabriele Polverosi Agostino Pisaneschi Luigi Attardi |
Casting Director | Paolo Heusch |
Assistant Casting Director | Roberto Tatti (“Madame Tatti”) |
Capo Gruppo Crowd Marshal |
Filippo “Pippo” Spoletini |
Coreografo Choreographer |
Tito Leduc (a/k/a Tito Leduch, Tito Le Duc, born Adolfo Manzano Muñoz, |
Assistente Coreografo Assistant Choreographer |
Pino Pennesi (real name: Giuseppe Pennese) |
Maestro d’Armi Stunt Coördinator |
Giorgio Ubaldi |
Assistente Maestro d’Armi Assistant Stunt Coördinator |
Osiride Pevarello |
Capi Effetti Special Effects Designers |
Franco Celli Marcello Coccia |
Effetti Special Effects Crew |
Giuliano Paravano Renato Ricci Giuseppe Olivetti Roberto Roncetti Andrea Bucci Paolo Campagnoli |
Architetti Architects |
Giovanni Natalucci Franco Velchi (Fellucchia) Giantito Burchiellaro |
Capo Costruzioni — Grotto di Tiberio e Stadio Head of Construction — Tiberius’ Pleasure Grotto and Stadium |
Carlo Agate (“Il Marinese”) |
Disegnatori Draftsmen |
Carmelo Agate Bruno Amalfitano Giuseppe Ranieri |
Capo Falegname Chief Joiner |
Luigi Sergianno |
Falegnami Joiners |
Cesare De Paolis Aldo Fanari Silvano Miele Raimondo Spasiano Giovanni Angler Antonio Petruzziello Enrico Zangarelli Giuliano Macale Arnaldo Sparapassi Renato Cupito Bruno Ferreri Fulvio Gabrielli Iorio Luzzi (Luzi???) |
Capo Scultore — Statue e Rocce Chief Sculptor — Statues and Rocks |
Sante Barelli |
Scultori — Statue e Rocce Sculptors — Statues and Rocks |
Filomeno Crisarà Alvaro Passeri |
Disegnatore — Statue e Rocce Designer — Statues and Rocks |
Francesco Dragonetti |
Scenotecnici — Statue e Rocce Crew — Statues and Rocks |
Salvatore Calascibetta Lanfranco Melia Carlo Guercio Enrico Parentini Oscar Carli Tito Cesare Serini Claudio Battistelli Duilio Ferrante Barnaba Pagliarini Ivano Gatti Giuseppe Cammareri Galiano Donati |
Capo Stuccatori Chief Plasterer |
Carlo Maggi |
Stuccatori Plaster Crew |
Giacomo Cedoloni Salvatore Placenti Giancarlo Cedoloni Pietro Olivi Giancarlo Perfetti Luciano Ramagnano Romolo Felici Peppino Luciani Alfredo Pallavera Gaetano Rocchetti Giuseppe La Rocca |
Capo Stuccatore — Grotto di Tiberio e Stadio Chief Plasterer — Tiberius’ Pleasure Grotto and Stadium |
Luciano Antonetti |
Stuccatori — Grotto di Tiberio e Stadio Plaster Crew — Tiberius’ Pleasure Grotto and Stadium |
Emilio Aversali Luciano Bispuri Ugo Antonetti Angelo Marta Antonio Marta Italo Mazzulli Mauro Ricci Alberto Ruiu Mario Tolu Sergio Ruiu Adolfo Cocozza Lorenzo Dominici Tonino Dominici Guido Pecci |
Arredatore Set Dresser |
Luigi Urbani |
Capo Pittore Chief Scene Painter |
Agostino Bivi |
Pittori Scene Painters |
Angelino Marzano Riccardo Maniscaldo |
Pittore — Statue e Rocce Painter — Statues and Rocks |
Nello Falcone |
Capi Pittore — Fondali Chief Backdrop Painters |
Emanuela Altrieri Michele Franculli |
Pittori — Fondali Backdrop Painters |
Ivano Conte Enrico Sali Amedeo Brogli Claudio Tedesco Luigi Crocicchia Paola Mugnai Leonardo Conte Roberto Cosi Guerrino Palomba Otello Tiberi Mario Torresi Nunzio Di Giacomo Luciano Zoppo |
Pittori Disegnatori — Fondali Backdrop Designers |
Antonio Fioretto Rosario Lo Turco |
Assistente Costumista Assistant Costume Designer |
Gloria Picone Mussetta |
Capo Sarto Wardrobe Master |
Gregorio Simili |
Sarte di Scena Wardrobe |
Nefte Riccò Elenuccia De Montis |
Pittore Costumi Costume Dyer |
Antonio Vandilli |
Sarto Peter O’Toole Peter O’Toole’s Wardrobe |
Fausto Bombelli |
Sarta Tagliatrice Seamstress |
Riccarda Pierconti |
Assistente Costumista di Scena Assistant Wardrobe |
Carolina M. Guerrini Moraldi |
Sarte Laboratorio Costume Crew |
Anna Foresi Agnese Mattiozzi Giselda Domenicucci Iolanda Di Pasquale Luciana Mancini Adriana Mattiozzi Bruna Mariani Tonino Manfrini Romolo Mancini Alba Ravaioli Olga Rendina Adriana Fiorato Lidia Leonardi Franca Paoletti |
Macchiniste — Grotto di Tiberio e Stadio Grips (Stagehands) — Tiberius’s Pleasure Grotto and Stadium |
Egisto Calascibetta Francesco Pizzonia Emanuele Polidoro Franco Rinaldi Marco Davoli Antonio Mollichella Franco Di Bernardino Francesco Paolo Alfano Arnaldo Ceccarelli Romano Di Chio Michele Di Lauro Franco Fabietti Patrizio Mollichella Pietro Palazzo Roberto Petani Aldo Venturi Michele Mele Sergio Rossi Fausto Cenci Bruno Cocco Dino Mezzoprete Silvano Pigu Sabino Schiavoni |
Capo Macchinista Key Grip (Chief Stagehand) |
Quirino Fantauzzi |
Macchiniste Grips (Stagehands) |
Antonio Marra Elio Cosi Mario Rondine Sergio Grassi Teodoro Marini Silvio Natali Carlo Pallossi Tommaso Percibali Ergo Primuoci Bruno Renegida Laurino Saccucci Nazzareno Salino Luciano Argento Massimo Bacchiocci Salvatore Corzi Gerardo D’Amore Quinto Proietta Salvatore Palumbo Giulio Saltari Osvaldo Giansanti Francesco Zuccari Rocco Pota Orlando Zuccari Cesare Rossiello Umberto Ventura Luciano D’Amico Mario Cascioli Mauro Coletta Elio Campi Domenico Caponecchi Giovanni Dobboloni Rodolfo Calascibetta Gismondo Cianti Pasquale Gentile Mario Pezzotti Renzo Gabotti Roberto Di Pomazio Ugo Cesari Mario Firmani Otello Sollani Giulio Marzi Gianfranco Perugini Nello Zotti Galliano Leoni Remo Bucci Fausto Pedano Giuseppe Lacovara Armando Scarano Ugo Bevilacqua Giuseppe Capi Romano Renzi Francesco Santangelo Livio Alessandrini Ennio De Petri Italo De Simone Biagio Nastasi Spartaco Blasi Alessandro Blasi Fiorino Persichetti Vito Fiorentino Willi Colombaioni Gian Francesco Gentile Porfirio Perrone Adriano Pirri Antonio Sarro |
Capo Macchinista — Statue e Rocce Key Grip (Chief Stagehand) — Statues and Rocks |
Pietro Santarelli |
Macchinista — Statue e Rocce Grip (Stagehand) — Statues and Rocks |
Franco Verticchio |
Capi Elettricista Gaffers (Chief Electricians) |
Sergio Spila Antonio Rinaldi |
Elettriciste Best Boys (Electricians) |
Marcella Cardarelli Vincenzo Mura Lino Trivelli Silvano Addamiano Giorgio Antili Giuliano Michisanti Arnaldo Parenti Antonio Piselli Trento Scagnoli Claudio Schettini Luciano Vinciguerra Maurizio Addamiano Domenico Caiuli Giovambattista Di Cicco Stelio Fioretti Luciano Giammei Nazzareno Marini Ettore Trivelli Francesco Paolo Artisù Nazzareno Belardinelli Franco Boccini Luigi Cianti Stefano De Luca Giuseppe De Paulis Italo De Stefano Nello Folatelli Salvatore Gentile Aldo Laureti Mario Paoletti Alvaro Romagnoli Pietro Santialini Antonio Schiavulli Giovanni Serroni Sabatino Sperandeo Nicola Torlinni Giovanni Gambella Leonida La Moratta Marcello Puccio Marcello Cardareli Vittorio Contino Gianni Gentili Alberto Grassi Francesco Pandolfi Ercole Petani Roberto Ridolfi Cristo Verrillo Francesco Cinti Gianfranco De Cinti Remo Carossino Giovanni Favello Aldo Gentili Alfio Lamoratta Amedeo Laurini Romano Martari Dino Paoletti Renato Puccio Giovanni Santoponte Mario Vitali Ettore Zampagni Giulio Pilloni Nicola De Luca Valerio Garzia Italo Trombetta Francesco Di Carlo Quattrone Massimo Rinaldi Antonio Falcetta Giuseppe Scansalegna Augusto Giannelli Bruno Paoletti Mario Fara Salvano Michisanti Oreste Rispoli Luciano Michisanti Battistino Cianfriglia Franco Gentili Alfio Ambrogi Maurizio Rossi Alberto Nannicini Guerrino Francescangeli |
Gruppiste Generator Operators |
Remo Cartocci Pietro Monacchia |
Attrezziste — Costumi Properties — Costumes |
Gianpiero Grassi Giovanni D’Ottavi |
Armerie Arms |
Giovanni Passanisi |
Scultore Corazze Blacksmith |
Marcello Cervino |
Capo Attrezzista Laboratorio Chief Prop and Furnishings Maker |
Giuseppe “Beppe” Cancellara |
Attrezziste Laboratorio Props and Furnishings Crew |
Salvatore Manca Domenico Mancino |
Scultore — Statue Sculptors — Statues |
Giulio Tamassy Antonio Cocchioni |
Attrezzista — Statue e Rocce Props — Statues and Rocks |
Luciano Rossiello |
Attrezzista Scena Scene Furnishings |
Nicola Bucci |
Assistente Attrezzista Scena Assistant Scene Furnishings |
Bruno Vandilli |
Assistente Scenografia Gioielli Assistant Prop Master — Jewelry |
Bruno Lenzi |
Attrezzista Gioielli Prop Master — Jewelry |
Vincenzo Cancellara |
Attrezzista Fiori e Piante Green Man |
Vito Rossiello |
Attrezzista Laboratorio Prop and Furnishings Maker |
Cesare Pennacchini |
Attrezzista Prop Master — Furnishings |
Sergio Gatti |
Capo Tappezziere Chief Upholstery Maker |
Orlando Cingolani |
Tappezziere Upholstery |
Roberto Cingolani |
Sarte Tappezziere Costume Upholstery |
Anita Leonardi Jole Leonardi |
Attrezziste Properties |
Renato Mondragone Armando Tortorici Angelo Maranno Michelangelo Borca Salvatore Governale, Studio Guard (also appeared onscreen as guest at the victory banquet) Alfredo Trovalusci Sergio Marli Gregorio Cardane Giuseppe Lubrano Orlando Araco Antonio Grassi Gianfranco Zoi Piero Ignazio Barbitta Americo De Angelis Giulio Simonetti Celeste Pranzi Roberto Manfrini |
Cavallerizzo Riding-Master |
Alfredo Danesi (owner of Davide/Incitatus, who kicked him on the head during the fever scene — no serious injuries, despite widespread rumors) [I think he appears on screen too] |
Sound Editors (Twickenham) | Leslie “Les” Hodgson (Frank) Winston Ryder |
Assistant Sound Editor (Twickenham) | Patrick Moore |
Dialogue Editor (Twickenham) | Archie Ludski |
Assistant Dialogue Editor (Twickenham) | David Grimsdale |
Foley (Twickenham) | Roger Van Engel |
Dubbing Mixers (Twickenham) | Gerry Humphreys Robin O’Donoghue |
First Assistant Film Editor (Twickenham) |
Peter Krook |
Second Assistant Film Editors (Twickenham) | Rodney Glenn Stefano Curti |
Third Assistant Film Editors (Twickenham) |
Claire Simpson A. G. Broderick |
Doppiaggio Eseguito Dubbing Studio [for the 1979 Italian version] |
C.D. Cine Doppiaggi SRL |
Direttore di Doppiaggio Dubbing Director [for the 1979 Italian version] |
Ferruccio Amendola |
Edizione Post-Production Manager [1979 Italian version] |
Claudio Razzi |
Mixage Dialogue Mixer [1979 Italian version] |
Fausto Ancillai |
Technical Equipment | CineNoleggio |
Costume Rental | Ferani Veste |
Calzolaio Cobbler |
Otello Polci |
Shoes | L.C.P. di Pompei |
Wigs | Rocchetti-Carboni |
Attrezzeria Props |
Rancate of Sormani |
Food Consultant |
Giuseppe “Bepo” Maffioli |
Direttore Amministrativo Chief Accountant |
Marcello Romeo |
Amministratori Accountants |
Oreste De Falco Paolo De Andrei |
Segretaria Amministratore Secretary to the Accountant |
Rossella Ferrero |
Assistente Segretaria Amministratore Assistant Secretary to the Accountant |
Costantino Barbieri |
Cassiere Amministrativo Paymaster |
Antonio Pala Vincenzo Lucarini |
Assistente Cassiere Amministrativo Assistant Paymaster |
Remo Stampiggioni |
Direttore Amministrativo Accounting Director |
Luciano Neri |
Segretarie Amministrativo Accounting Secretaries |
Dina Malisani Fiorenza Gabrieli |
Financial Controller |
Gerald Avraham Yaacov Kreditor |
Contabilità meccaniche ATA Accounting |
Soc. G.E.S.C.A. spa |
Insurance | George R. Walden of Albert G. Ruben & Company Fireman’s Fund Insurance Company, c/o Cinesicurtà Srl, Viale Rossini, 21, Roma |
Bag Lunches | Cucine Mobili Dino Srl |
Legal Counsel for Felix Cinematografica | Massimo Ferrara-Santamaria |
Legal Counsel for Penthouse Films International and Felix Cinematografica | [Lonson] Arnold Weissberger |
Legal Counsel for Penthouse Clubs International Establishment | Benjamin Baker of Ronald Fletcher Baker & Co |
Fotografo di Scena Unit Photographer |
Mario Tursi |
Special Photographers | Roloff Beny Eddie Adams Jeremy “Jerry” Bauer Stan Malinowski Claudio Patriarca |
Promotion and Marketing | Jerry Pam of Guttman & Pam Ltd |
Capo Ufficio Stampa Unit Publicist |
Walter Alford |
Segretaria Secretary to Unit Publicist |
Maria Ruhle |
In-House Publicity Crew | Gregory Bronson Eugene Rizzo Leslie Cuscina |
Territorial Sales | [Donald Aubrey] Don Getz |
Typography | Creative Typographers MacNaughton Lithograph The Typros |
Advertising | Tinker Campbell Ewald |
Pre-Release Logo | Daniel J. Maffia |
Pre-Release Poster Design | Michael Sweret |
Medallion Engraver | Gary L. Erickson |
Assistant to Bob Guccione | Leslie Jay-Gould |
Bob Guccione’s “Secretaries” | Thomas Raymundo (“Tommy Ray” — armed bodyguard) Carmine “Del” Delgado (“The Mayor of Honolulu” — armed bodyguard) Anthony “Tony” Leeds (real-estate agent/confidant) |
Accountant — Penthouse Films International | John Holland |
Executive Administration — Penthouse Films International | Irwin Edward Billman Jan Harris |
Assistant to the Executives — Penthouse Films International | Regina Andriolo |
Penthouse Films International Clerical Staff | Ahmad Sadiq Dawn Willis Adele Baranski Steven Beer Fyrossa Khan William Hubschmitt Norman Oberlander John Quis Maxine Berd Harvey Zucker Hector Marrero Elizabeth Appelbaum Janet Cohn Cheryl Goldblatt Cynthia Horden Michelle Petrillo Theodore C Bailey Michael Jaffa |
Re-Recorded at | Twickenham Film Studios, London, England |
Custode Camerini Dressing-Room Security |
Vittoria Ansini |
Custode Teatro Security |
Guido Rosina |
Filmed at | Dear International SpA (Cinestudi Dear, afterwards known as Cine International Srl, now the RAI Studi Dear), via Ettore Romagnoli 30 (by Via Nomentana), 00137 Rome, Italy; with overflow sets built on via Salaria by Monterotondo and location work at La Faggetta, Provincia di Viterbo (pastoral idyll), Lago di Vico, near Vitorbo at Ciroco (Battle of Britain), and i termi di Caracalla |
Technical coördinator for US release | Byron C. Trott |
Negative Format | 35mm Eastmancolor 5254, 1:1.85 |
Sound Format (1979) | Several prints |
Sound Format (1999) | Monaural Synthesized to Dolby Digital 5.1 |
593 total listings 12 are for corporations 4 people performed more than one duty and hence are listed twice 18 worked only on the English-language post-production 4 are lawyers who did only off-site paperwork 1 is an accountant who did only off-site paperwork 1 is a contracted publicist who worked out of Beverly Hills 2 composers were hired after completion of filming 8 composers did not work on this movie, but had written pre-existing music 3 were graphic artists in the US 4 were Penthouse executives who worked out of NYC 21 were clerical staff at Penthouse who worked out of NYC 3 were armed guards who traveled with Guccione 3 worked on the Italian post-production only THAT LEAVES 510 CREW MEMBERS WHO WORKED ON SET OR WERE OTHERWISE HEAVILY INVOLVED IN THE ACTUAL PRODUCTION AND/OR PREPRODUCTION. There was also the 100-piece Royal Italian Symphonia which was recorded at Bruno Nicolai’s Emmequattro Studios in Rome; so we should add 100 musicians and I don’t know how many crew and staff. I have no clue about the staff and musicians required for the rejected scores by Fiorenzo Carpi and Franco Mannino. |
THE CAST | |
Caio Germanico Giulio Cesare “Caligola” Gaius Germanicus Julius Cæsar “Caligula” |
Malcolm McDowell [birth name: Malcolm John Taylor] dubbed himself for the English version dubbed by Massimo Turci for the Italian versions dubbed by Lutz Mackensy for the German version |
Drusilla | Teresa [Thérèse] Ann Savoy dubbed by Isabella Pasanisi for the Italian versions dubbed by Traudel Haas for the German version |
Macrone Macro |
Guido Mannari dubbed by Patrick Allen for the English version dubbed by Glauco Onorato for the Italian versions dubbed by Christian Rode for the German version |
Nerva | [Arthur] John Gielgud dubbed by an unidentified British actor for a version that was never released dubbed himself for the English version dubbed by Roberto Villa for the Italian versions dubbed by Wilhelm Borchert for the German version |
Tiberio Tiberius |
[Seamus] Peter O’Toole dubbed himself for the English version dubbed by Sergio Graziani for the Italian versions dubbed by Friedrich W. Bauschulte for the German version |
Claudio Claudius |
Giancarlo Badessi dubbed himself(?) for the Italian versions dubbed by Horst Gentzen for the German version |
Gemello Gemellus |
Bruno Brive dubbed by Piero Tiberi for the Italian versions dubbed by Stefan Krause for the German version |
Ennia | Adriana Asti dubbed herself for the Italian versions dubbed by Inken Sommer for the German version |
Caricle Charicles |
Leopoldo Trieste dubbed himself for the Italian version of 1979 dubbed by Vittorio Stagni(?) for several scenes in the Italian version of 1984 dubbed by Edgar Ott for the German version |
Cherea Chærea |
Paolo Bonacelli dubbed by Joss Ackland for the English version dubbed himself for the Italian version of 1979 dubbed by Luciano De Ambrosis for several scenes in the Italian version of 1984 dubbed by Joachim Nottke for the German version |
Longino Longinus |
John Steiner dubbed himself for the English version dubbed by Pino Colizzi for the Italian version of 1979 dubbed by Dario Penne for several scenes in the Italian version of 1984 |
Livia | Mirella D’Angelo |
Cesonia Cæsonia |
Helen Mirren dubbed herself for the English version dubbed by Vittoria Febbi for the Italian versions dubbed by Andrea Brix for the German version |
Proculo Proculus |
Donato Placido [real name: Gerardo Amato] dubbed by Luciano De Ambrosis for the Italian versions dubbed by Lutz Riedel for the German version |
Mnester | Richard Parets dubbed by Roberto Chevalier for the Italian versions dubbed by Wolfgang Ziffer for the German version |
Suburra Singer | Paula Mitchell dubbed her own line for the English version |
“The Little Giant” (Caligula’s mute mascot) | Osiride Pevarello (Synchron Kartei claims that this part was dubbed into German by Jochen Schröder, which doesn’t seem likely, since the character is mute) |
Messalina | Anneka di Lorenzo (“Dewey”) |
Agrippina | Lori Wagner (“Huey”) |
OTHERS IN THE CAST | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Caligula’s retinue | Martinelli, first name unknown (Caligula’s bedroom; Proculus’s house; dinner; victory banquet; birth; Battle of Britain; Imperial Bordello) Mazzanti (Massanti?), first name unknown (Longinus’s office; Caligula’s bedroom; Drusilla’s bedroom; Proculus’s house; dinner; victory banquet; birth; Battle of Britain; Imperial Bordello) Montereale, first name unknown (Longinus’s office; Caligula’s bedroom; Drusilla’s bedroom; Proculus’s house; dinner; victory banquet; birth; Battle of Britain; Imperial Bordello) Romoli, first name unknown (Caligula’s bedroom; Drusilla’s bedroom; Proculus’s house; dinner; victory banquet; birth; Battle of Britain; Imperial Bordello) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Second of pair of nude slaves jogging down corridor | Anna Grimwood [birth name: Ann Burgess] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A slave in the corridor | Giulia Cardella [bitten by a Molossus between takes, taken for shots] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A slave in the corridor | Annalisa Fiore | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Princess-Slave (tortured with barbed wire) | Angela La Vorgna [her face is never shown on screen, which is a terrible shame since she had about the nicest face of all] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Tiberius’s slave (Betty the Collapsible Crutch) | Loretta Young (no, not that one; this one was an actress-model from NYC about whom I know nothing else) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Band leader by Tiberius’s pool / Soldier who posts Caligula’s decree of one month’s public mourning | Guy Munthe | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A musician under the conductorship of Guy Munthe | Gary Karp [in real life a music student in Ohio] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Orgy Master at Tiberius’s Grotto of Pleasures | Marcello Di Falco | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Drunken Sentry | Donato Mercouri [some hastily typed studio documents spell his surname Mercuri, which I think is wrong; I think he spelled it the Greek way, not the Latin way] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
An exhibit at Tiberius’s Grotto of Pleasures | Tom Corey [in real life an art student from Scarsdale] | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Three-eyed dwarf | Salvatore FurnariSiamese Twins joined at scalp |
Aléxico and Eloy de Llanos | Priest (“Rest Tiberius Cæsar”; entrail examiner at wedding banquet; “Golden ponds of Britain”) |
Giuseppe Maffioli | “Throw him in the river!” |
Louis Rossetto | High Priest Bergarius |
Eduardo Gustavo Bergara Leumann | High Priestess of Isis |
[originally cast as midwife, a part that was cut prior to shooting] Maria Cumani Quasimodo | One of the blade-wielders on the head chopper |
Pietro Torrisi | Senator (“He’s a tyrant”) |
John Stacy | Senator Acesius (“I offer my life”) |
Andrew Lord Miller [misidentified as Andrew Lord Russell in photo captions] | Console |
Consul Nino Prester [misidentified as “Edoardo Prester” in Ministero del Turismo e dello Spettacolo application; glimpsed only for a moment during the coronation scene.] | 2º Console |
2nd Consul Vittorio Fanfoni [glimpsed only for a moment during the coronation scene.] | Priestess of Isis (Sacred Dance of Isis) / A senator’s wife |
Jane Hargrave (“Louie”) | Priestess of Isis (Sacred Dance of Isis) |
Susanne Saxon (Susan Marie Swanson, | Maître d’ at Wedding (“And the Lady Drusilla, and the Lady Cæsonia”) |
John Francis Lane | Incitatus |
Davide | Homosexual Guards who spy on Caligula & Drusilla at the beginning of the reign and then on the Caligula/Drusilla/Cæsonia trio during the storm |
“Caramella” and “Belladonna” (I assume Caramella was the masculine-looking one, whom I can’t identify; the effeminate one, whose face is never revealed in the release versions, I assume was Belladonna, and his real name was Franco Caracciolo | One of the Ladies-in-Waiting |
Kris Petersson | Master of Ceremonies during arrest of Gemellus |
Daniel Smith [deleted from release versions, visible in Lui’s Making of] | Boia |
Executioner Eolo Capritti | One of the guests at Victory Banquet |
Salvatore Governale [he also worked props and studio security] | A senator’s wife / priestess of Isis / Diana, Goddess of the Hunt at victory banquet |
Carolyn Patsis (Carolynn A. Putsis, b. 9 Jan 1956, d. 26 Nov 2013) [Diana was deleted from release versions] | A senator’s wife |
Bonnie Dee Wilson | Julia Drusilla (two years old) |
Sansoni [first name unknown] | Dancing Master |
Gambino [first name unknown, deleted from all release versions] | Also Appearing |
Ryan, first name unknown (corridor, Gallery of Monsters) | Doyle, first name unknown (corridor, Gallery of Monsters) De Petris, first name unknown (Gallery of Monsters) Suares, first name unknown (Gallery of Monsters) Caporale, first name unknown (Gallery of Monsters) Saltutti, first name unknown (Enrica???) (head-chopper) Fiorentini, first name unknown (Longinus’s office; Caligula’s bedroom) D’Ecclesia, first name unknown (Luigi???) (dinner; victory banquet; death of Proculus; Imperial Bordello) Bullo, first name unknown (Gianfranco???) (birth) Roiron, first name unknown (Georges???) (Suburra) Ianni, first name unknown (death of Proculus; victory banquet) Tanin, first name unknown (victory banquet;) Ritva Kaarina Maakorpi (victory banquet? — for the life of me I can’t remember where I learned that she appeared in this movie) O’Brian, first name unknown (Imperial Bordello) Caponera, first name unknown (Pipo???) (Imperial Bordello) Sottile, first name unknown (Imperial Bordello) Pino Ammendola (a soldier?) Omero Capanna (unknown) Fortunato Arena (unknown) Antonio Casale (unknown) Lella Cataneo (unknown) Decio Gabin (unknown) Giuseppe Namio (unknown) Claudio Aliotti Guglielmo Spoletini Giovanna Tovoli (a/k/a Lola Montez) Carlos Alberto Valles and about 200 or maybe 300 others (Please contact me if you can identify any of them. Thanks!) Senators’ wives aboard the Imperial Bordello |
(appeared only in Guccione’s inserts) Valerie Rae Clark | Juliet Morris Henrietta D. Kelogg (or Kellogg, or Kellog) (b 4 Nov 1952, d 3 Jun 2009) Signe Berger and others Other voice artists for the English dub |
Joan Baker | Seán Barrett David Dixon Olive Gregg Neville Jason Geoffrey Matthews Paula Mitchell Beryl Mortimer Jennifer “Gennie” Nevinson Robert Rietti Footsteppers |
Joan Baker | Beryl Mortimer THERE WERE SEVERAL HUNDRED EXTRAS,
MOST OF WHOM I CANNOT IDENTIFY AND MOST OF WHOM WERE SURELY NOT ACTORS.
MANY WERE PROBABLY CREW MEMBERS WHO WERE PUT INTO COSTUME.
IF YOU CAN IDENTIFY ANY OF THESE EXTRAS, PLEASE WRITE TO ME.
MANY, MANY, MANY THANKS!!! |
Some years ago, back in 2009, we discovered the captions typed up for most of Mario Tursi’s black-and-white unit stills.
I don’t think the unit stills for the last four or five weeks of the shoot were ever captioned, but everything else was.
Please look at this one particular caption:
Oooooo. That looks interesting, doesn’t it?
I mean, heck, we all know that Sidney Sheldon was a good sport, and so why not?
Why wouldn’t he do that?
Alas, he didn’t.
There was a typographical error in that caption, in duplicate.
Nearly a decade later, we discovered the images.
Take a look:
Pay attention to the edge numbers. Mario Tursi purchased bulk 100' rolls of film and cut them himself into canisters of about 40 frames each. That is why frame 44 is followed on the same piece of film by frame 1. After the film was processed and cut into four-frame snippets, the studio folks renumbered them by hand, rather randomly, paying no attention at all to the edge numbers. The proper sequence is right to left. By the way, Sidney Sheldon was in Rome at the time to write Bloodline,
a novel that was intended from the outset to become a movie entitled Sidney Sheldon’s Bloodline.
Yes, Paramount Pictures insisted from the beginning that the author’s name be included in the title.
The script was later polished by — hold your breath — Gore Vidal!
Then the film was chopped to pieces and the scenes were tossed out of sequence and many outtakes were used instead of the preferred takes,
and the result was a damaged film with a damaged story.
When the movie was scheduled for network broadcast, Sidney Sheldon himself rounded up all the trims and deletions
and oversaw a proper restoration, a “Writer’s Cut,” if you will.
The “Writer’s Cut” has never been shown since, and has never been made available on home video. Darn!
Copies are floating around on the grey market, though, and I got myself one.
Quite amusing, indeed, and Audrey Hepburn was magnificent.
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CALIGOLA vs IO, CALIGOLA (Tinto Brass, 1979/1984) 4 confronti doppiaggio https://youtu.be/owCXogF16VE If it ever disappears, click here. |
CONFLICTING CREDITS |
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FELIX/PAC: AUGUST 1979, ITALY |
PENTHOUSE/ANALYSIS: FEBRUARY 1980, USA |
FELIX/GAUMONT: MARCH 1984, ITALY |
FELIX/CVF: JUNE 1987 |
Something amused me in 1980.
It may have amused you, too.
When journalists are under the gun with a deadline, they do hasty research, and the hastiness shows.
That’s a professional risk — actually, it’s a professional inevitability.
An editor at The New York Times assigned Tom Buckley to do a brief piece on the forthcoming Caligula.
The editor recognized the principal names in the cast and crew, but he had never heard of the director before.
Could Buckley learn something about this director?
Now, in early 1980 that was not such an easy assignment, for it was next to impossible to find any reference to Tinto in any English-language journal,
apart from the occasional passing reference to Madam Kitty that one could glean from Reader’s Guide.
Nonetheless, Buckley did what he could, and I instantly recognized what he had done.
He began his research by pulling up the 1980 International Motion Picture Almanac, edited by Richard Gertner, published by Quigley.
Was Tinto mentioned? Yes, he was!
The brief listing, though, was simply a list of Italian titles that were entirely unfamiliar.
Apart from Caligula and Salon Kitty, there was only one title in English, namely Yankee.
On a hunch, Buckley decided to look up Yankee in a respected book on westerns, and he lucked out.
That, of course, was insufficient.
Buckley needed to do a little more digging.
He looked through an index of film journals, and discovered that Variety had published a few references to Tinto’s most recent movie.
Behold the result:
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